Ink, gouache, charcoal, silkscreen, tracing paper on republished Bauhaus Journal mounted on aluminum, stainless steel hanging details and screws
TUU-Kandinsky
TUU-Schlemmer
TUU-Moholy Nagy (side A)
TUU-Moholy Nagy (side B)
TUU-Das Kino
TUU-Niemeyer
TUU-Stravinsky
The series is the superimposition that hypothesizes artificial intelligence’s interpretations of the Third World futuristic utopia/dystopia on the images of Bauhaus Journal from 1926 to 1931, in which the architects, designers, and artists proposed the radical design for the time ahead.